A través de este recorrido por el panorama de la literatura europea se destacan los principales recursos empleados en la novela romántica. Se analizan los recursos pertinentes a la estructura de Der Gesiterseher (1787-1789) de Schiller, de René de Chateaubriand (1802) y de Last Man de Mary W. Shelley (1826). Las reglas de la exposición retórica fundamentan la construcción del ambiente fantasmagórico de Undine de F. de la Motte Fouqué y de Spirite de Théophile Gautier. Siguiendo las tendencias del siglo XVIII y a pesar de los encantadores devaneos presentados por Choderlos de Laclos (1782), José Marchena defendía una forma de considerar la influencia de la disciplina retórica en estrecha relación con la sociedad y la ética en sus Lecciones de filosofia moral y elocuencia (1820). Esta aplicación de los recursos retóricos facilitó el ejercicio de la propaganda ideológica tomando como pretexto el relato de ficción en las novelas Maria, la hija del jornalero (1847) y La araña negra (1893).
This volume presents some essays on the evolution of narrative fiction from the Enlightenment to Romanticism. The selection of contents and the captivating overview of the rhetorical treatises written in Latin are very helpful as a starting point. The ancient variety of Rhetorics, recovered by the humanists, seems to be reduced in novels in the transition to full Romanticism (1700-1850), as a consequence of the rising aesthetic doctrine in literature.
The essays in this book will provide a fascinating insight into the foundations of the most skillful resources of Romanic style. Rhetoric procedures provided several structural patterns in Schiller's only novel, Der Geisterseher (The Ghost-seer), which was published between 1787 and 1789, Chateaubriand's Ren (1802) and in Mary Shelley's The Last Man (1826). The specific rhetoric rules provided the phantastic atmosphere in F. de la Motte Fouqué's Undine and in Theophile Gautier's Spirite.
In continuity with the Enlightenment trends of the eighteenth century, and despite Choderlos de Laclos' charming love quarrels (1782), José Marchena defended in his Lectures on moral philosophy and eloquence (1820) a practical conception of rhetoric closely linked to moral and political sciences. This social application of an efficient rhetoric structure provided a case of propaganda through the mere narrative tale in the Spanish serialized novel Maria, la hija del jornalero (Mary, the day labourer's daughter 1847) and La araña negra (The black spider 1893).
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