Co-Editor:
Gisa Jähnichen, Shanghai Conservatory of Music
gisajaehnichen@web.de
The official email address of AEMR is AEMRC@shcmusic.edu.cn
AEMR is an open access journal which means, that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Gamelan Melayu Sound Preservation and Archiving through Recording Methods and Production Techniques
Muralitheran Munusamy
pp: 17-40, 2020-12-04
Hindustani Classical Music in Sri Lanka: A Dominating Minority Music or an Imposed Musical Ideology?
Chinthaka Prageeth Meddegoda
pp: 41-50, 2020-12-04
Some Observations on Agrarian Life and Performing Arts in Today’s Sri Lanka
Saman Panapitiya
pp: 51-59, 2020-12-04
Some Observations on Flute Playing in Malaysia
Chai Yem Voon
pp: 60-80, 2020-12-04
Developing a Sense of Place through Minorities' Traditional Music in Contemporary China
Ning Ying [宁颖]
pp: 81-92, 2020-12-04
The Role of Music and Allied Arts in Public Writings on Cultural Diversity: “People of Sri Lanka”
Gisa Jähnichen
pp: 93-100, 2020-12-04
A Few Words About the Upcoming Book “The Atlas of Makam Music in Anatolia and the Neighbouring Geographies”
Cenk Güray
pp: 105-107, 2020-12-04
My Flowing Life [我如水漂泊的一生]: The Songs of the Miao Cleaning Women in the Demon City [魔都] Shanghai
Xiong Manyu [熊曼谕]
pp: 108-112, 2020-12-04
The Morricone Paradox: A Film Music Genius Who Missed Writing Symphonies
Marcello Sorce Keller
pp: 113-115, 2020-12-04
All journal issues are archived at the Deutsche Nationalbiliothek and zenodo.