Gisa Jähnichen, Shanghai Conservatory of Music
The official email address of AEMR is AEMRC@shcmusic.edu.cn
AEMR is an open access journal which means, that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Symphonies, Status and Soft Power: The Symphony Orchestra of India
pp: 19-36, 2021-06-21
Genre Localization in Current Popular Music of the Philippines
Li Jia [李嘉]
pp: 37-54, 2021-06-21
What is Known About Some Music Features and Song Lyrics of the Khmer Living in the South of Vietnam?
Nguyen The Truyen [Nguyễn Thế Truyền]
pp: 55-68, 2021-06-21
Leuangtengdong: Analysis of a Hmong Song
pp: 69-76, 2021-06-21
Understanding an Epic Song of the Hmong in Laos From The Perspective of Oral Composition
Zhang Xun [张寻]
pp: 77-90, 2021-06-21
Home-Coming: The Repatriation of Historical Recordings
Ling Jia Sui [凌嘉穗]
pp: 91-96, 2021-06-21
Review Essay: Why Was this Colloquium on Drums and Drum Ensembles Along the Silk Road Important in these Times?
Aly Abdelaty Ebrahim Hassan [على عب د العاطي ابراهيم حسن]
pp: 100-102, 2021-06-21
Review of ‘Ziying You. 2020. Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense is Kept Burning’
pp: 103-105, 2021-06-21
Review of ‘British Forum for Ethnomusicology (BFE) Annual Conference, 8-11 April 2021’
Aniarani Andita & Aditi Krishna [दिदि कृष्ण]
pp: 106-108, 2021-06-21
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