Co-Editor:
Gisa Jähnichen, Shanghai Conservatory of Music
gisajaehnichen@web.de
The official email address of AEMR is AEMRC@shcmusic.edu.cn
AEMR is an open access journal which means, that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Oil, Trade, and Music: Penetration of European Musical Instruments and Music to Azerbaijan and Its Subsequence
Alla Bayramova
pp: 7-14, 2022-12-07
‘Nazira’ Traditions in Uzbek Music
Chinora Ergashova
pp: 15-20, 2022-12-07
The Refashioning of Thai School Theme Songs: A Case Study of Symphony on a ‘Pin-Hatai’ Theme
Bhannavichaya Vadhanasiriphongs
pp: 21-32, 2022-12-07
Mobility and Global Interaction of Chinese and Turkic Musical Cultures
Rezeda Khurmatullina
pp: 33-38, 2022-12-07
Patterns of Repertoire amongst Toronto Chinese Orchestras
Cui Yao
pp: 39-56, 2022-12-07
Musical Art of Uzbekistan in the 21st Century: Globalization and Preservation of Identity
Elnora Mamadjanova
pp: 57-60, 2022-12-07
Globalism and Mediterranean Modal Musics: The Case of the Tunisian Ṭubū’
Jared Holton
pp: 61-68, 2022-12-07
Enhancing Human Resources for the Conservation and Promotion of Cultural Values of Khmer Folk Music in Southern Vietnam
Pham Tiet Khanh
pp: 69-84, 2022-12-07
Listen to ‘Mila’, Listen to the Hong Kong's Social Soundscape on the Contemporary Opera
Stage (Review)
Fang Bo
pp: 89-94, 2022-12-07
All journal issues are archived at the Deutsche Nationalbiliothek and zenodo.