Co-Editor:
Gisa Jähnichen, Shanghai Conservatory of Music
gisajaehnichen@web.de
The official email address of AEMR is AEMRC@shcmusic.edu.cn
AEMR is an open access journal which means, that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Musical Feature Perception: A Comparative Study Among Musicians, Dancers, and Non-musicians,
Jim Saroj Winston, Ajith Kumar Uppunda
pp: 13-24, 2024-12-19
Adapting Rhythmic Movement in Dondang Sayang: Melody and Movement Matching Analysis
Md Jais Ismail
pp: 25-38, 2024-12-19
Mugham: Real Existence and Generalisation versus Tradition and Practice
Jürgen Elsner
pp: 39-50, 2024-12-19
Reading Punjabi Sufi-Poetry as Performance: Reviewing the Musical Renditions of the Kāfi
Ayesha Latif
pp: 51-64, 2024-12-19
Kathakali Music: A Search on the Evolutionary Trajectory
Sudheer Variathu Chorathu, Anilkumar Gopinathan
pp: 65-76, 2024-12-19
A Biographical Study of William Banda Makulloluwa's Contributions
Kamani Samarasinghe
pp: 77-86, 2024-12-19
Siamese Musical Instruments: The French Historical Archives Recorded During the Reign of King Narai the Great
Waraporn Cherdchoo
pp: 87-96, 2024-12-19
Jonathan P.J. Stock and Beverly Diamond (eds). 2022. Routledge Companion on Ethics and Research in Ethnomusicology
Razia Sultanova
pp: 99-101, 2024-12-19
The Book Series: Guo Chen, Stella and Carlo Alberto Petruzzi, eds. 2021–2023. Precise Word-By-Word Explanation of Italian Opera Librettos in Chinese in Eight Volumes,
Francesco Serratore
pp: 102-105, 2024-12-19
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