Co-Editor:
Gisa Jähnichen, Shanghai Conservatory of Music
gisajaehnichen@web.de
The official email address of AEMR is AEMRC@shcmusic.edu.cn
AEMR is an open access journal which means, that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access.
Uneven Worlds, New Minoritizations, Intersectional Privilege: Questioning Different Kinds Of ‘Global’ In Musical Transmission
Tan Shzr Ee [陈诗怡]
pp: 13-24, 2024-06-03
Design and Development Of Musical Instruments from Recycled Materials for the Elderly in Phitsanulok Province In the Northern Part Of Thailand
Vich Boonrod
pp: 25-40, 2024-06-03
Musical Culture of the Kyrgyz People
Jiang Yulong [蒋雨龙], Wang Rui [王睿], Alina Dyushenalieva, Nurzhan Sartbekova
pp: 41-52, 2024-06-03
The Sound and Function of Different Language Particles in Zhuang Songs of Some Western Areas in Guangxi
Lin Zhi [林芝], Ahmad Faudzi Musib
pp: 53-64, 2024-06-03
Traditional Music of Kazakhstan in the Second Half of the 20th Century: Using the Example of Folk Song Art in the Northern Region of Kazakhstan
Sholpan Tatkenova, Mussilim Amze
pp: 65-78, 2024-06-03
Research on Guqin Composition in Mainland China in the 1950s and 1960s: Some Works of Yu Shaoze [喻绍泽]
Zeng He [曾河] Loo Fung Chiat [卢芳洁]
pp: 91-106, 2024-06-03
Multi-Contextual Revival, Hidden Inheritance Cycle, and Fieldwork Methodology Behind the Case of Dongpu Bamboo Horse in Guangdong
Yin Xiang [尹翔]
pp: 107-117, 2024-06-03
Review Essay of “Correa Cáceres, Juan Sebastián. 2023. The Aulos in Classical and Late Antiquity. Acculturation, Diffusion, and Syncretism in Socio-Musical Processes of the Mediterranean. Berlin: Logos”
Xu Xin [徐欣]
pp: 121-124, 2024-06-03
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