Playing and Fighting as an Electric Violinist Kirsten Seidlitz ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 8 (2021) https://doi.org/10.30819/aemr.8-2     pp: 9-18     2021-12-09

Playing and Fighting as an Electric Violinist

Stichworte/keywords: Electric violin, Music business, Performance studies, Expressive demands, Instrumentalist–instrument relation

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Abstract
The violin is an instrument used in various musical genres. Besides preserving, elaborating, and valuating, the classical form of the instrument as well as the classical violin repertory, an electronic version of the instrument has entered the music business many decades ago. It allows the musician to produce sounds ranging from classical violin sounds to electric guitar or even electric bass sounds. Nora Kudrjawizki (‘Angelstrings’, “One Violin Orchestra”) is an electric violinist living in Berlin and using the instrument for as many different genres and occasions as possible: playing Nirvana songs or fighting with the violin bow as an improvised sword to “Pirates of the Caribbean” music as part of her performance. Her work will be presented as a case study and will be set into a bigger framework with further electric violinist statements generated from the literature. I focus on the differences in the instrumentalist–instrument relation when playing electric or acoustic. My aim is to prove that the electric violin is mostly used to play public and impress others and that there are also musically interesting aspects and individual experiences that should be valued.