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The Morricone Paradox: A Film Music Genius Who Missed Writing Symphonies
Marcello Sorce Keller
ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (2020)
https://doi.org/10.30819/aemr.6-11 pp: 113-115 2020-12-04
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Stichworte/keywords: Film music, Ennio Morricone, Music education, Compositions, Musicology
Cite: APA BibTeX
Keller, M.S. (2020). The Morricone Paradox: A Film Music Genius Who Missed Writing Symphonies. ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL, 6 , 113-115. doi:10.30819/aemr.6-11
@article{Keller_2020,
doi = {10.30819/aemr.6-11},
url = {https://doi.org/10.30819/aemr.6-11},
year = 2020,
publisher = {Logos Verlag Berlin},
volume = {6},
pages = {113-115},
author = {Marcello Sorce Keller},
title = {The Morricone Paradox: A Film Music Genius Who Missed Writing Symphonies},
journal = {ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL}
}
Abstract
This short essay reviews a specific aspect of Ennio Morricone’s work as a film music composer. The review is of personal character and analyses the expectation of the composer as a projection of the social conditions he lived in. The review invites controversial discussions and may show some ideas of the way how purposeful research can turn into culturally contributing subjectivity.