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Review of the 48th World Conference of the International Council for Traditions of Music and Dance
Yang Bo [杨波]
ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 15 (2025)
https://doi.org/10.30819/aemr.15-9 pp: 97-101 2025-05-30
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Stichworte/keywords: ICTMD, Wellington conference, themes, performances, reviewing
Cite: APA BibTeX
[杨波], Y.B. (2025). Review of the 48th World Conference of the International Council for Traditions of Music and Dance. ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL, 15 , 97-101. doi:10.30819/aemr.15-9
@article{[杨波]_2025,
doi = {10.30819/aemr.15-9},
url = {https://doi.org/10.30819/aemr.15-9},
year = 2025,
publisher = {Logos Verlag Berlin},
volume = {15},
pages = {97-101},
author = {Yang Bo [杨波]},
title = {Review of the 48th World Conference of the International Council for Traditions of Music and Dance},
journal = {ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL}
}
Abstract
The International Council for Traditions of Music and Dance (ICTMD) is a global scholarly organization
dedicated to the study, documentation, and promotion of music and dance traditions worldwide. Originally
founded in 1947 as the International Council for Traditional Music (ICTM), it was renamed in 2023 to reflect
its commitment to both music and dance research. ICTMD fosters interdisciplinary collaboration among
ethnomusicologists, dance scholars, and practitioners through conferences, study groups, and publications,
supporting the study, practice, documentation, preservation, and dissemination of diverse music and dance
traditions across cultures. The 48th ICTMD World Conference was held in Wellington, Aotearoa New
Zealand, from 9 to 15 January 2025, bringing together scholars, performers, and practitioners from diverse
backgrounds to explore global perspectives on music and dance. Notably, this marked the first time the
ICTMD World Conference was hosted in New Zealand. Organized by Te Herenga Waka, Victoria University
of Wellington, and Te Kōkī, the New Zealand School of Music, the conference aimed to foster
interdisciplinary dialogue, showcase new research, and strengthen connections between academia and
performing arts communities.