 |
Another View on Khmu Flute Songs in Mainland Southeast Asia
Gisa Jähnichen
ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 15 (2025)
https://doi.org/10.30819/aemr.15-8 pp: 87-96 2025-05-30
|
Stichworte/keywords: Khmu tot and pi, Southeast Asia, music production, songs, ethnomusicologists
Cite: APA BibTeX
Jähnichen, G. (2025). Another View on Khmu Flute Songs in Mainland Southeast Asia. ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL, 15 , 87-96. doi:10.30819/aemr.15-8
@article{Jähnichen_2025,
doi = {10.30819/aemr.15-8},
url = {https://doi.org/10.30819/aemr.15-8},
year = 2025,
publisher = {Logos Verlag Berlin},
volume = {15},
pages = {87-96},
author = {Gisa Jähnichen},
title = {Another View on Khmu Flute Songs in Mainland Southeast Asia},
journal = {ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL}
}
Abstract
Khmu Flute Songs in Mainland Southeast Asia were already part of deeper investigations, which are reviewed
here, yet some new points appeared since then. Updated re-readings need to be undertaken much
more often in recent times. This paper is based on it and represents a small personal study of available
materials won over time during manifold fieldwork experiences in Laos among Khmu people. It will shed
light on the social construction of archaic societal structures and their transformation into the recent working
units. Taking Khmu Flute Songs as an indicator for the presence of traditional power, these songs are
re-investigated from a historical viewpoint. Special emphasis is also given to the individualization of
knowledge and the unification of their streamed applications on another level. This small-scale study may
contribute to the body of knowledge on musical practice as an indicator and result of social changes in the
history of humankind.