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Oil, Trade, and Music: Penetration of European Musical Instruments and Music to Azerbaijan and Its Subsequence
Alla Bayramova
ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 10 (2022)
https://doi.org/10.30819/aemr.10-2 pp: 7-14 2022-12-07
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Stichworte/keywords: Oil, Music, Jindřich Jindříšek, Musical instruments, State Museum of Musical Culture of Azerbaijan
Cite: APA BibTeX
Bayramova, A. (2022). Oil, Trade, and Music: Penetration of European Musical Instruments and Music to Azerbaijan and Its Subsequence. ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL, 10 , 7-14. doi:10.30819/aemr.10-2
@article{Bayramova_2022,
doi = {10.30819/aemr.10-2},
url = {https://doi.org/10.30819/aemr.10-2},
year = 2022,
publisher = {Logos Verlag Berlin},
volume = {10},
pages = {7-14},
author = {Alla Bayramova},
title = {Oil, Trade, and Music: Penetration of European Musical Instruments and Music to Azerbaijan and Its Subsequence},
journal = {ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL}
}
Abstract
Business has played its part in shaping Azerbaijan’s musical culture. The influx of money and Europeans to Baku
during the oil boom of the late 19th and early 20th centuries generated demand for Western musical instruments
and paved the way for their diffusion in Azerbaijan. Therefore, when speaking of the rapid development of music
education and professional music-making of the Western tradition in Azerbaijan, one should not lose sight of the
fact that this would have been very difficult if there had not been sufficient saturation of the market with pianos,
violins, etc. Materials from the collection of the State Museum of Musical Culture of Azerbaijan contain
information on music shops in Baku, where gramophones, records, and sheet music were sold alongside musical
instruments.