Volume 4 (2019)

108 Seiten
ISSN 2625-378X

PDF – OpenAccess


Acceptance and Identification: Three Brides Who Did Not Have Crying Marriages
Liu Hong[刘红]
pp: 1-12

The Interpretation of the Huqin as Recorded in the Laufer Collection
Jin Qiao [金桥]
pp: 13-24

Some Revelations about the Song Dạ Cổ Hoài Lang
Kiều Tấn
pp: 25-42

Observing a Pang Then Ritual of the Tày People in Lào Cai Province
Phạm Minh Hương and Nguyễn Thuỷ Tiên
pp: 43-48

Changes in Music Practices of the H’rê People in Quảng Ngãi Province
Nguyễn Thế Truyền
pp: 49-58

“Music as a Gift from God”—On the Indigenization of Sacred Music in the Chinese Christian Church
Sun Yue [孙月]
pp: 59-74


The Yandun Dagu Story – A Field Report Review
Gisa Jähnichen
pp: 75-78

Unique Experience In the 3rd SEAMEX (Southeast Asia Music Education Exchange) Event, 2019, Indonesia
Yin Xiang [尹翔]
pp: 79-82

Book review on ‘A Phonemic Theory: On Traditional Chinese Music’
Han Mei [韩梅]
pp: 83-86

“Cultural Imperialism and the New ‘Yellow Peril’ in Western Classical Music” Study Day Report for Asian-European Music Research
Kawabata Maiko and Tan Shzr Ee
pp: 87-98

My Impressions of the 1st China Musics Ethnographic Film Exhibition
Terada Yoshitaka
pp: 99-100