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ASIAN-EUROPEAN MUSIC RESEARCH JOURNALVolume 2 (2018)
95 Seiten
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DOCUMENTING THE IMPACT OF RECONNECTING AUDIOVISUAL CULTURAL HERITAGE MATERIAL IN THE COUNTRY OF ORIGIN
Isobel Clouter
pp: 1-10
A COLLABORATIVE PROJECT BETWEEN CHINA AND KOREA ON FIELD RESEARCH, INSTRUMENT RESTORATION, AND COMPOSITIONAL PRACTICE IN RELATION TO PORCELAIN HOURGLASS DRUMS
Xiao Mei
pp: 11-20
“IT’S ONLY THE WATER AND THE ROCKS THAT OWN THE LAND”
SOUND KNOWLEDGE AND ENVIRONMENTAL CHANGE IN PALAU, WESTERN MICRONESIA
Birgit Abels
pp: 21-32
CHUURIN DUU: THE MONGOLIAN BI-PHONIC MUSIC FROM THE PERSPECTIVE OF SOUND ECOLOGY
Xu Xin
pp: 33-39
LOCKING UP MUSICAL SYSTEMS THROUGH TRANSLATED ORAL TERMINOLOGY IN THE SOUTH-VIETNAMESE MUSIC OF THE TALENTED
Gisa Jähnichen
pp: 40-52
ORAL TEACHING SYSTEMS VERSUS ONGOING CANONIZATION IN HINDUSTANI VOCAL PRACTICE
Chinthaka P. Meddegoda
pp: 53-64
FUNERAL MUSIC IN WENCHENG AND ITS TRANSNATIONAL APPLICATION IN THE CHINESE COMMUNITY OF MILAN
Francesco Serratore
pp: 65-79
Reviews:
REACH BACK, REACH DEEP, REACH OUT - A CASE HISTORY OF THE SONGS OF MEMORY PROJECT IN THE COMMUNITY
Victoria Vorreiter
pp: 80-87
100 YEARS OF SOUTH VIETNAMESE CẢI LƯƠNG THEATRE AND THE PLACE OF THE ĐÀN GHITA PHÍM LÕM
ĐÀN GHITA PHÍM LÕM
pp: 88-91
REVIEW OF ETNOGRAFIE SONORE / SOUND ETHNOGRAPHIES
Gisa Jähnichen
pp: 92-93
REVIEW OF SUSTAINABLE FUTURES FOR MUSIC CULTURES: AN ECOLOGICAL PERSPECTIVE
Ling Jiasui
pp: 94-95